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American Music: A Panorama, Concise Edition, by Lorenzo Candelaria, Daniel Kingman
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This briefer, more accessible edition of our best-selling survey text describes American music as a panorama of distinct yet parallel streams--hip-hop and Latin; folk and country; gospel and classical; jazz, blues, and rock-that reflect the uniquely diverse character of the United States. Comparing and contrasting musical styles across regions and time, Candelaria and Kingman deliver a vision of American music both exuberant and inventive, a music that arises out of the history and musical traditions of the many immigrants to America's shores.
- Sales Rank: #219069 in Books
- Brand: Brand: Schirmer
- Published on: 2011-01-01
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: .60" h x 7.30" w x 9.00" l, 1.14 pounds
- Binding: Paperback
- 352 pages
- Used Book in Good Condition
About the Author
Lorenzo Candelaria (Bachelor of Music, Oberlin College, 1995; Ph.D., Yale University, 2001) is an award-winning teacher and author at The University of Texas at Austin, Butler School of Music. He is the recipient of prestigious fellowships from the Fulbright Program and the National Endowment for the Humanities and was presented with the Robert M. Stevenson Award by the American Musicological Society for his book THE ROSARY CANTORAL (2008).
Daniel Kingman is an American composer and Professor Emeritus, California State University, Sacramento.
Most helpful customer reviews
8 of 8 people found the following review helpful.
Good Survey of American Music
By James M. Haddon
I teach a course in United States music history at the high school level, and this college text is a good stretch for my students. It is clearly written, well organized, and provides great points for departure in my lectures. The accompanying CD set, though not perfect, is a convenient way to bring in examples and allows for some independent study. Music history teachers can augment the examples with their current CD holdings.
The text surveys "American" music, not just music of the United States, although that is in the majority. The distinction of American versus U.S makes for a good discussion point throughout the semester. We do not take the chapters in order (we begin with music of the early European settlers), and the book lends itself to that flexibility.
Although there may be better texts for specific music history topics, (i.e., Jazz or contemporary "serious" music) this is an excellent survey text for the advanced high schooler or college music history survey course. Term paper suggestions, questions for additional research and bibliography are included at the end of each chapter.
3 of 3 people found the following review helpful.
The CD's were not included
By Kathryn
I ordered this book for my college class, and thought it had the CDs. It doesn't. I spent a lot of money for being "just" the book.
4 of 6 people found the following review helpful.
Uneven in its weight to genres of music
By Tobin Sparfeld
This is a concise edition of Daniel Kingman's previous book of the same title. I know of it having been used as a high school textbook on American Music.
Kingman's book begins with a great introduction of some of the various ethnic/folk musics of the American musical tradition: Anglo-American, African-American, American Indian, and Latino backgrounds. Part Two looks at music which germinated from the South-Country, Blues, and Rock. Other sections examine popular sacred music, secular music, jazz, a substantial section on classical music, and a small epilogue on other regional styles.
This text is good because it is not too difficult to read and interesting overall. Kingman does a good job of introducing the music and providing useful descriptions of each style.
His bibliographies at the end of each chapter are fantastic, and he also provides many useful project ideas which would work great for high school/college classes alike
Unfortunately, there are a host of problems. First, the section on jazz is too short (30 pages), as well as those on rock (25 pages) and musical theater (20 pages). Kingman also neglects to put each movement in its proper historical context. This does not seem to be an important goal for him.
Many courses teach either American Popular Music or American Art/Classical music, not both. There are better texts out there which are more specific. For a survey course on all American music, this can work, but will certainly need to be supplemented with primary source materials and information on jazz, rock, Broadway, and other areas.
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